Categories
Miscellany Photography
Categories
Photography

(U)LFFTR

(U)LFFTR
Pigment ink prints on Hahnemühle Photo Rag
12×18″ each
Edition of 3
2017

“As a child, she had never once imagined her room as someone else’s room before it was hers, but of course it was it was exactly that: it was a space, and over time you and others passed through it.”
– Jonathan Dee, “The Locals”

Categories
Photography

swmpHse

swmpHse
Pigment ink prints on archival paper
13×19″ each (unframed dimension)
Edition of 5
2017

Categories
Photography

Rumors Thereof Have Reached Us

Rumors Thereof Have Reached Us
Pigment ink prints on Hahnemühle Photo Rag
24×36″ each
Edition of 3
2017

Categories
Photography

Able Was I Ere I Saw Alba

Able Was I Ere I Saw Alba
Pigment ink print on archival paper
24×24″
Edition of 3
2013

Alba was the name of a genetically modified “glowing” rabbit created as an artistic work by artist Eduardo Kac, produced in collaboration with French geneticist Louis-Marie Houdebine. Houdebine used a gene found in the jellyfish Aequorea victoria that fluoresces green when exposed to blue light. When Alba was exposed to such light, she too would glow green.

“Able was I, ere I saw Elba” is a well-known palindrome often attributed to the French leader Napoleon Bonaparte, who was once exiled to the island of Elba. More likely the palindrome was created in 1848 by someone with the initials J.T.R and residing in Baltimore, Maryland.

Categories
Photography

Ghosts

Ghosts
Pigment ink prints on Hahnemühle Photo Rag
30×40″ each
Edition of 5
2011

Found images of ghosts with descriptive text provided by the photographer (or someone with knowledge of the photo). In an attempt to remove image noise, the photographs were repeatedly blurred by a Gaussian function until their most basic elements were left, revealing the visual essences of the ghosts.

“I found it interesting to not only further abstract what were, in most cases, already very vague images of apparitions, orbs, and lights, but to combine those abstracted images with the text as supplied by the photographer (or someone with knowledge of the photo). In a way, the text is both a necessary element to provide a context to these formless fields of color, and also an interesting gauge of how we look at and contextualize the unknown (the text from one photo reads: “This was taken at Barnsley Gardens in Georgia last April 2007. There was nothing in this room to cause this orb/ectoplasm to be in this photo. This is incredible and probably the single most amazing ghost pic I’ve ever seen, let alone taken.”)…”

Categories
Photography

Point of Impact

Point of Impact
Pigment ink prints on archival paper
13×13″ each
Edition of 3
2004

Exhibited at:
“Torrid” juried exhibition, Sharadin Art Gallery, Kutztown, PA
“post_space” solo exhibition, Conant Gallery, Groton, MA.